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Abebe Bikila Icarus

Insight

Greek mythology already warned about the danger of the light. Icarus, attracted by the sun, flew so high that he burned his wings and fell from the sky.

Two thousand years later, the myth repeats itself. If the pursuit of power and success can take us to heaven, the lights that burn at the top can also be our ruin. For the launch of rapper Abebe Bikila’s new album, AKQA Coala.LAB presents an updated version of Icarus, where the metropolis becomes the stage for modern tragedies and the maze from which we seek to escape.



Idea

The world’s first vernissage of a music album.

Oil painting – the classic means of immortalising stories in Ancient times – was also the technique used as the platform to immortalise this new version of Icarus.


A man poses as if flying with angel wings in front of a large painting, surrounded by people taking photos. The scene is part of an art installation themed “ICARUS,” with some fiery visual effects near his feet.

A 2 x 2 metres oil painting reinterprets the artwork The Fall of Icarus (1636) by Jacob Peter Gowy. The album was embedded in the canvas, giving life to the painting through AR and allowing the rapper to virtually sing an unreleased track from his new album.


To capture the volumetric BK’, photogrammetry and motion capture techniques were used, in addition to LIDAR technology. An activation by geolocation ensured exclusivity for the public of the vernissage.

A person with light blonde dreadlocks and a hoop earring takes a photo of a large framed painting using their smartphone in an art gallery. The painting depicts a figure with outstretched arms and an urban background.

The music video.

Creating a contemporary perspective for the myth of Icarus, the film reflects on human desires and the danger of ambition. As the neo-Icarus, BK’ must deal with the temptations of the modern big cities, showing that the lights of the metropolis can elevate and, at the same time, can also corrupt human beings. The narrative mentions other characters from mythology such as Hélio (the sun personification) represented by gold and greed. Medusa and the parable of Narcissus symbolise the importance given to the reflection of the screens. Further, the Minotaur is personified by a motorcycle with horns.




Visual ID.

The work also featured supporting graphics material, brochures, posters, OOH and visualisers for each of the album’s tracks.


A person in a blue puffer jacket and brown pants poses with one foot forward against a dramatic, cloudy red sky. Large text reads Abebe Bikila™ presents ICARUS, with stylized graffiti at the bottom.
A man with braids stands confidently in a geometric frame, wearing a light blue shirt, dark pants, and sneakers. The text reads Abebe Bikila™ presents ICARUS with various logos and design elements around the border.
A man wearing a shiny metallic jacket crouches on a reflective water surface with a cloudy sky backdrop. The image features red digital symbols and text overlays on the edges, creating a futuristic effect.

Album cover for Icarus by Abebe Bikila, with a dark red and black cloudy background. The tracklist in Portuguese is centered, along with logos, producer credits, and stylized fonts.
A person holds open a magazine featuring a full-page photo of a man in casual clothes on the left, and the headline ICARUS with text and an image of a figure with wings on the right.
A digital artwork of a winged, human-like figure in flight, illuminated with glowing pink and purple hues. The word ICARUS appears at the top, along with various logos and stylized text elements.

Impact

An engaged and empowered fandom.

The artwork was exhibited for three days at the Art Museum of Rio de Janeiro, receiving more than 6,000 visitors. The rapper garnered over 2 million views in 24 hours and the album achieved a record 8.9 million streams on Spotify and more than 3.7 million views on YouTube.

More than just an album launch, it took the rap audience and marginalised youth to a space usually denied to this public: the museum, making music, art and technology accessible to everyone and denouncing the most contemporary and real tragedies of our society. Lust, desire, addiction, greed, corruption and other sins inherent to humanity are the theme of this work, represented visually in the painting and in the poetic lyrics of the album.




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